Mnozil Brass - Strauss – A Little Dance Between the Chairs

That the waltz-drunk "Duidu, Duidu" and its relaxed counterpart "Dudidubidu" are actually just a stone's throw away from each other, not much more than "a warm embracing dance away" – this has been clear to the masters of Mnozil Brass for ages. For more than thirty years, the seven virtuosos have effortlessly zigzagged between Johann Strauss and Frank Sinatra, between Shostakovich and Prince, or passionately leapt from Schubert to their kindred spirits in Queen. They are equally unconcerned by the solemn grandeur of one side as they are by the supposed banality of the other. But Strauss – who was fervently admired by Brahms, Wagner, Verdi, as well as the craftsmen and the girls from the suburbs (and even Gershwin) – was the founding father of the nonchalant frolicking between genres. Strauss was the first to produce hits by the dozen, he hired an arranger to work faster, and he realized that he could reproduce his sound worldwide with his brothers. He was the first to blur the lines between serious and light music and became a mass phenomenon as the waltz king – the cash registers had never rung sweeter. In Strau$$, Mnozil Brass now reveals everything about Strau$$. Even the last bit. In the end, nothing remains but the naked truth. A project commissioned by Johann Strauss 2025 Vienna.