Small art with Christine Schütze

Long live the difference! Christine Schütze's current solo performance "Well, she would be too thin for me!" celebrates difference. For example, the difference between saying and meaning, knowing and understanding, or between female and male (supposed) ideal types. At the center of the exploration of love and words, everyday life and linguistic clichés, we all stand, along with the German language and what one can do with it in a powerful and piano-tuned way. Low German also plays a small role. In a nutshell: As a song at the end of the day, Fidele Alte demonstrates that the perfect man is pure relativity theory, even without night vision goggles. Sounds puzzling? True, but it becomes clear over the course of the amusing and intelligent cabaret evening. The press wrote: What is the secret of this cabaret heavyweight that one would like to see again as soon as possible? Christine Schütze simply meets the high demands of sophisticated "small arts" one hundred percent: professionalism, craftsmanship, originality, a connecting thread, individual trademarks, and personal messages. Christine's current program "Well, she would be too thin for me!" is celebrated by audiences far and wide ("You have displaced Bodo Wartke from my heart!", "intelligent and touching", "the best in the last 20 years") and has just been awarded a cabaret prize, namely the "Lüdenscheider Lüsterklemme 2025." The press wrote about it: Christine Schütze gives us a stellar hour of cabaret. It is clear that Christine Schütze must be recognized for her artistry: for texts and lyrics worthy of being printed as reading material. For musical arrangements that surpass even well-crafted song accompaniment. Cabaret from a league of its own. Stimulating. Intelligent. Entertaining. A blessing for muses - and people.