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Angela Eisenköck and Anna Maria Brandstätter
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TOURDATA
Gasteil 1, 2640 Prigglitz
Angela Eisenköck
With her hyper-realistically detailed pastel and oil-on-canvas paintings, Angela Eisenköck addresses the theme of transience—whether in the depiction of wilting flowers, greatly enlarged fragments, or flowing and airy draped pieces of fabric. She employs a decidedly conceptual approach derived from her original profession as an architect: based on photographs, she approaches her subject matter with sketches and drawings before actually executing it: using strong colors in many layers, as well as light and shadow effects that make the object glow.
Anna Maria Brandstätter
Finely stroked, with carefully coordinated density, Anna Maria Brandstätter makes her objects pulse with ink on paper, giving them an impressive plasticity. She focuses on nature-related forms, such as root systems or branch networks, in a reduced black-and-white contrast and often with a high degree of abstraction. In her paintings created with egg tempera, pigments, oil paints, and mixed techniques, built up in layers, vibrant colors of varying intensity serve as a counterpoint to the clearly structured lines with which she unfolds dreamlike landscapes and a fantastic space.
With her hyper-realistically detailed pastel and oil-on-canvas paintings, Angela Eisenköck addresses the theme of transience—whether in the depiction of wilting flowers, greatly enlarged fragments, or flowing and airy draped pieces of fabric. She employs a decidedly conceptual approach derived from her original profession as an architect: based on photographs, she approaches her subject matter with sketches and drawings before actually executing it: using strong colors in many layers, as well as light and shadow effects that make the object glow.
Anna Maria Brandstätter
Finely stroked, with carefully coordinated density, Anna Maria Brandstätter makes her objects pulse with ink on paper, giving them an impressive plasticity. She focuses on nature-related forms, such as root systems or branch networks, in a reduced black-and-white contrast and often with a high degree of abstraction. In her paintings created with egg tempera, pigments, oil paints, and mixed techniques, built up in layers, vibrant colors of varying intensity serve as a counterpoint to the clearly structured lines with which she unfolds dreamlike landscapes and a fantastic space.
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