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Christa Bartesch and Andrea Schnell
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TOURDATA
Gasteil 1, 2640 Prigglitz
Christa Bartesch
Color, light, and their perception in various forms and tension relationships are at the center of interest in the works of Christa Bartesch, who hails from Münster in Westphalia and has lived in Budapest for many years. Therefore, she avoids any objectivity and any figurative recognizability, focusing exclusively on the effects that color fields and shapes can produce in her large-format oil-on-canvas paintings. Painted in many layers, sometimes overlaid with drawn, net-like arranged lines, the deeper levels only reveal themselves to the viewer after a prolonged gaze, thereby making the process conscious and altering the outcome of the viewing experience.
Andrea Schnell
The initially intuitive and unintentional lines and color spots drawn with ink, acrylic, oil, and chalk on paper increasingly find their external significance and processing in Andrea Schnell's working process. They serve as a poetic mirror of her feelings, her unconscious, and her experiences, oscillating between abstraction and predominantly feminine objectivity in their expressiveness, revealing ironic and associative details upon closer inspection. The appearance moves within the tension field of the black or deep blue line against the light background and concentrated color accents.
Color, light, and their perception in various forms and tension relationships are at the center of interest in the works of Christa Bartesch, who hails from Münster in Westphalia and has lived in Budapest for many years. Therefore, she avoids any objectivity and any figurative recognizability, focusing exclusively on the effects that color fields and shapes can produce in her large-format oil-on-canvas paintings. Painted in many layers, sometimes overlaid with drawn, net-like arranged lines, the deeper levels only reveal themselves to the viewer after a prolonged gaze, thereby making the process conscious and altering the outcome of the viewing experience.
Andrea Schnell
The initially intuitive and unintentional lines and color spots drawn with ink, acrylic, oil, and chalk on paper increasingly find their external significance and processing in Andrea Schnell's working process. They serve as a poetic mirror of her feelings, her unconscious, and her experiences, oscillating between abstraction and predominantly feminine objectivity in their expressiveness, revealing ironic and associative details upon closer inspection. The appearance moves within the tension field of the black or deep blue line against the light background and concentrated color accents.
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