KAPmodern: Play it again. And again...

Modern = highly complex? Not necessarily. Some works achieve their full impact with just a few notes, simply through their repetition. By drifting into the infinite, Morton Feldman creates spheres of weightlessness. States akin to trance – anyone who has sat under a tree full of crickets in summer knows what Kate Moore evokes in her quartet. Giacinto Scelsi descends into darkness, obsessed with the power of deep tones, while Beat Furrer seeks airy movement. What would a successful concert be without an encore? Johannes Nied has prepared something for that. And if that’s still not enough, a piece like Mario Lavista's Divertimento about witches or Danish kings is a welcome repertoire addition. “Was that life? Well then! One more time! In such sayings, there is much resonant play,” Nietzsche knew. “Let him who has ears hear. – ” gladly “countless times.” Further information: Information Tickets