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Baroque Ensemble Three Souls
TOURDATA
Puchberg 1, 4600 Wels
Together, they bring a colorful program from the Baroque period to life, featuring composers such as H. Purcell, C. Monteverdi, and G. Frescobaldi. The two straightforwardly floating voices, accompanied by the warm sounds of the theorbo, guarantee a musically enjoyable evening.
Sopranists: Nora Mayer, Andorf
Studied concert singing and instrumental vocal pedagogy at the University of Arts Graz with Annemarie Zeller; her enthusiasm for early music and historical singing led her to the Bruckner Private University Linz, where she received impulses for historical vocal techniques from Miriam Feuersinger, a soloist at the Passau Cathedral, in the Kurhaus Church Schärding, at the Inntöne Baroque Festival, and at the Schärding Opera Festival; she has performed with the vocal ensemble Company of Music and the Peter Mayer Hofkapelle at the Vienna Concert Hall, Brucknerhaus Linz, during the Gmunden Festival Weeks, and on the cultural radio Ö1.
Maia Deger, Fürstenzell near Passau
Studied solo singing at the Schola Cantorum Basiliensis in Basel, specializing in the historical performance practice of music from the Renaissance to the Romantic period, trained by María Cristina Kiehr, Evelyn Tubb, and Kurt Widmer; performs with ensembles such as the J. S. Bach Foundation, AUXantiqua, the Capella Cathedralis, the Vokalzirkel Munich, the Leonhard Paminger Ensemble, and Baroque orchestras like La Banda, L'arpa festante, and the L’Orfeo Baroque Orchestra; founded the Bavarian-classical ensemble Zeidlang.
Lute: Adriaan Lauwers, Belgium
Musician specializing in early plucked instruments, performing as a soloist or ensemble member in concerts across Austria, Belgium, France, Germany, Croatia, Italy, Luxembourg, the Czech Republic, and the Netherlands; trained by Rolf Lislevand at the Conservatoire national supérieur de musique et de danse de Lyon (CNSMD de Lyon), attended masterclasses with Hopkinson Smith, Paul O'Dette, Vincent Dumestre, David Russell, Roland Dyens, and Roberto Aussel.
Date: Thursday, March 5, 2026, at 7:30 PM
Admission: € 25
Registration requested.
Sopranists: Nora Mayer, Andorf
Studied concert singing and instrumental vocal pedagogy at the University of Arts Graz with Annemarie Zeller; her enthusiasm for early music and historical singing led her to the Bruckner Private University Linz, where she received impulses for historical vocal techniques from Miriam Feuersinger, a soloist at the Passau Cathedral, in the Kurhaus Church Schärding, at the Inntöne Baroque Festival, and at the Schärding Opera Festival; she has performed with the vocal ensemble Company of Music and the Peter Mayer Hofkapelle at the Vienna Concert Hall, Brucknerhaus Linz, during the Gmunden Festival Weeks, and on the cultural radio Ö1.
Maia Deger, Fürstenzell near Passau
Studied solo singing at the Schola Cantorum Basiliensis in Basel, specializing in the historical performance practice of music from the Renaissance to the Romantic period, trained by María Cristina Kiehr, Evelyn Tubb, and Kurt Widmer; performs with ensembles such as the J. S. Bach Foundation, AUXantiqua, the Capella Cathedralis, the Vokalzirkel Munich, the Leonhard Paminger Ensemble, and Baroque orchestras like La Banda, L'arpa festante, and the L’Orfeo Baroque Orchestra; founded the Bavarian-classical ensemble Zeidlang.
Lute: Adriaan Lauwers, Belgium
Musician specializing in early plucked instruments, performing as a soloist or ensemble member in concerts across Austria, Belgium, France, Germany, Croatia, Italy, Luxembourg, the Czech Republic, and the Netherlands; trained by Rolf Lislevand at the Conservatoire national supérieur de musique et de danse de Lyon (CNSMD de Lyon), attended masterclasses with Hopkinson Smith, Paul O'Dette, Vincent Dumestre, David Russell, Roland Dyens, and Roberto Aussel.
Date: Thursday, March 5, 2026, at 7:30 PM
Admission: € 25
Registration requested.
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